“Dirty Blonde” at Cygnet: Damn Good (Not So Clean) Fun
Words by Kristen Fogle
“When I'm good, I'm very good. But when I'm bad I'm better.”
“It takes two to get one in trouble.” “Too much of a good thing can be
wonderful.” “Is that a gun in your pocket or are you just glad to see me.” …The
curvy bombshell whose rise to stardom began on the New York vaudeville scene and
closed with the commercial failure “Sextette” at the “tender” age of 85—Mae West
is nothing if not memorable.
Cygnet presents “Dirty Blonde”—directed by Cygnet Artistic
Director Sean Murray—a biography that takes its audience on a roller coaster through
the ups and down (mostly ups) of West’s career, presented mostly
chronologically, whilst introducing us to the characters of Jo and Charlie, two
modern day individuals that meet while visiting Mae’s grave. Jo idolizes Mae’s boldness;
Charlie’s connection to the star began with a boyhood obsession, leading him to
visit the (then) aging star in LA when he was only 17. As Jo and Charlie
attempt to figure out their relationship, an unexpected hang-up of Charlie’s
presents itself; no spoiler here—let’s just say Charlie’s peculiarity makes for
wonderful spectating.
Though we are obviously interested in the ‘will they’ or
‘won’t they’ of Jo and Charlie’s could-be romance, Mae is at the center of it
all, and we are taken through her life from start to finish, through fledgling
vaudeville acts, court appearances for morals charges, her Vegas and Broadway
shows, on into the end of her glorious career.
Behind the sexy maven is Melinda Gilb, whose vocal
impression of Mae is spot on, paying homage to all those deliciously clever one
liners of hers. She also plays the delightfully average, modern day Jo and
transitions between her and the amazing Mae effortlessly. Steve Gunderson
(Charlie) is skilled in portraying a character that is sweet, smart, and every
girl’s best friend (he also plays several other smaller parts, including an
impressive W.C. Fields). David McBean is the most versatile, however, playing a
variety of smaller roles with diverse accents and personalities. (He also has a
wonderful voice which he showcases a little here and a lot recently in Arts Off
Broadway’s “Next to Normal.”)
The play runs 1 hour and 40 minutes, and be advised, there
is no intermission. Intermission-less shows can be anxiety inducing, but with a
fun pink stage that hosts a variety of props, gags, songs, and characters,
boredom was the last thing on anyone’s mind. Props to the “Dirty” behind the
scenes team that made this possible—Colleen Kollar Smith (Choreography), Michelle
Caron (Lighting Design), Sean Fanning (Set Designer), and Jennifer Brawn
Gittings (Costumes) among them.
So…is it worth the time and money? Absolutely. Mae’s is one
of the most laugh-tastic shows I’ve seen in a good while and both those well
versed in the life of the icon and those new to her sexy brand of wit will
appreciate and enjoy this impressive theatrical feat.
“Dirty Blonde”
Cygnet Theatre
5/17-6/17
4040
Twiggs St.
San Diego, CA 92110
San Diego, CA 92110
(619) 337-1525
www.cygnettheatre.com
To view the original article, please visit http://www.sdtheatrereviews.com/arts.php?newsId=255
To view the original article, please visit http://www.sdtheatrereviews.com/arts.php?newsId=255
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