ARTSNFASHION MAGAZINE, VOLUME 2

Artsnfashion Magazine,
Volume 2

Words by Kristen Fogle:
-Mystic Water Kava Bar review
-Peeps Artlab profile

To see the issue, please visit http://issuu.com/artsnfashion/docs/issuu_final

THE MARVELOUS WONDERETTES @ MOONLIGHT AMPHITHEATRE FOR SDTHEATREREVIEWS.COM

Words by Kristen Fogle

A delightfully fun filled songfest finishes off the year for the Moonlight Amphitheatre. “The Marvelous Wonderettes’” four female leads reign supreme in this throwback to a 1950s prom when the girl group finds themselves forced into performing when the scheduled talent cancels. Act two picks up ten years later with the four reuniting for a class reunion (and again, in the role of the talent, the ladies sing songs of the current era). The result is a cute, catchy romp through favorites like “Respect,” “Mr. Sandman,” and “It’s My Party.”

The show features the original director of the show, Roger Bean, and choreographer Janet Miller, who have both received Ovation nominations for their efforts. (“The Marvelous Wonderettes” did win—the 2007 Los Angeles Ovation for Best Musical.)

Three of the cast members are veteran Wonderettes as well. Bets Malone (Suzy Simpson) originated the role of Suzy over a decade ago, and it shows; the cute Suzy with the nasal voice and the adorable laugh is crafted to a tee (though Suzy seems a lot like Penny Pingleton from “Hairspray,” which, it figures, Malone has also played). Misty Cotton (Missy Miller) has also reprised Missy many times over; she boasts perhaps the best voice of the cast and definitely looks the most mature of the lot. Natalie Storrs (Betty Jean “BJ” Reynolds) has “Wonderette-d” in the past, but played Cindy Lou Huffington. This is interesting as BJ and Cindy Lou are polar opposites and best friends who fight about everything, (but mostly over boys). Tomboy BJ and prim and proper Cindy Lou, played by Michaelia Leigh, both portray their respective roles well, but the fighting between them is mostly fluff and pretty unbelievable for the most part. However, since the plot is mainly just filler for some great tunes, it works. Indeed the show banks on (and succeeds) because these girls can sing. The cast belts out (both individually and together) over 30 popular 1950s and 60s hits, backed by skilled musicians.

Not only do the hits from the past draw you in, audience participation is a vital component of this play. “Mr. Lee” involves a lucky man from the audience who is mentioned (and thrown up on stage) throughout the show, and the whole audience is encouraged to fill out ballots for the crowning of the Marvelous Queen of your Dreams. (Shockingly all four Wonderettes are up for the crown!) With the enthusiasm and energy of each Wonderette, it’s hard for the crowd not to get caught up in the act. (Will the right girl get the crown??)

It’s bitter sweet as this chipper, sweet show marks the last of the summer season at Moonlight. But for those who liked the sing-a-long quality of Moonlight’s show choices this season, patrons will be happy to go indoors to the Avo, which serves up tributes to the Beatles (10/15), James Taylor (10/16), and Simon and Garfunkel (11/12). And as part of the Avo’s regular season, look out for Agatha Christie’s “The Mousetrap” in January.

The Marvelous Wonderettes
Moonlight Amphitheatre
9/14-10/1
1200 Vale Terrace Drive
Vista CA 92084
760-724-2110
www.moonlightstage.com


For the original article, please go to http://sdtheatrereviews.com/arts.php?newsId=255

MULAN @ SAN DIEGO CENTER FOR JEWISH CULTURE FOR ARTSNFASHION.COM AND SDTHEATREREVIEWS.COM

Words by Kristen Fogle

J Company Youth Theatre, paired with La Jolla
Playhouse this season, presents Disney’s “Mulan.” Directed by Joey Landwehr, the production runs for three weekends, and in the meantime, serves up some of the best young actors I have ever seen.

“Mulan” is an entertaining experience that facilitates between delivering laughable moments and addressing important life lessons. Set in ancient China, young Mulan is primarily concerned with finding out who she is; a difficult feat in a land rife with tradition, populated by those that seek to put a young girl in her place as a wife to a young man. But after young Mulan fumbles her way through a meeting with the matchmaker, thus disgracing her family, she wonders whether she will ever make her family’s dreams of marrying her off happen and wonders if her unorthodox ways will ever not bring her family shame. When China calls for a warrior from every family, Mulan attempts to go in place of her ailing father—once a great warrior. Dressed as a man, she humorously explores what it is like to be one. Using quick thinking, she even manages to save the Chinese army from the hands of the Huns—thus developing respect from her army peers, including Captain Shang, who she develops a crush on. However, when Shang learns she is a girl, she is shunned and encouraged to return to “being a woman.” When Mulan saves China a second time though, Shang is forced to confront how powerful Mulan really is, as well as his true feelings for her…

Themes of honor, strength, loyalty, destiny, and love emerge. This story is a great example for children and proof that sometimes standing up to adversity is the right thing to do; following in other footsteps for the sake of tradition is not always the best path to follow. “Mulan” is especially wonderful for young females; the notion of woman as warrior is powerful in showing girls that they can step out of preconceived notions of them. However, Disney’s resounding message is always one of finding “true love.” And as limiting and old fashioned as that notion is, perhaps it is comfortable in that it reminds us that yes, you can have it all if you stay true to yourself.

It must be noted, that though this is a youth production, the Garfield Theatre does not look like a children’s performance space. In fact, there is nothing scaled down about this impressive place: featuring 500 seats, a 2,500 square foot stage, a large impressive set, and a wide array of props and costumes, if one is to see a performance put on by kids, this is the place to go.

Not to mention that these kids are just plain talented. The young stars are impressive to watch as they perform extensive choreography and engage in intricate vocal harmonies. Mulan (Gabrielle Quiwa) is well cast. Her facial expressions and acting chops are spot on (though I wish they would turn her up in a few places where her soprano is a bit faint). Mushu (Scott Peterson), Mulan’s dragon friend sent by her ancestors to help, is similar to another Disney character, that of the Genie from “Aladdin,” played by Robin Williams in the movie version. That boisterous energy helps the scenes stay upbeat and playful. (And evidenced by the giggling heard whenever he came on, I think the kids in the audience like him too.) Another standout is the Emperor, played by Nathan Conlon, a wee little fellow with a great voice who delivers lines in such a tender, mature, wise way. Captain Shang, The Ancestors, and all the other performers are well rehearsed and work together capably. In fact, the best moments of the show are the group numbers. “Keep ‘Em Guessin’” is especially well done; the troupe moves and sounds terrific together.

For a night with some of San Diego’s best youth performers, and to see a fun entertaining romp around ancient China complete with life lessons that are good reminders even for the older generation, “Mulan” is worth a watch.

Disney’s Mulan
J Company Youth Theatre
San Diego Center for Jewish Culture
David and Dorothea Garfield Theatre
9/17-10/2
4126 Executive Drive
La Jolla, CA 92037-1348
858-362-148
www.sdcjc.org/jcompany

For the original article, please go to http://sdtheatrereviews.com/arts.php?newsId=255

HOW THE OTHER HALF LOVES @ SCRIPPS RANCH FOR SDTHEATREREVIEWS.COM

Words by Kristen Fogle

Seeing “How the Other Half Loves” is experiencing theater at its most pleasurable. A visit to the Scripps Ranch Theatre (albeit a little hard to find without having been there or receiving detailed directions) is a short, pleasant drive for those living in San Diego proper and set among a beautiful campus. The theater itself is brimming with warm wonderful ushers and staff, and the space is adorably decorated for what is a one part smart, two parts silly performance that is sure to be enjoyed by patrons both old and young.

The action of “How the Other Half Loves” takes place in the homes of two couples, Fiona and Frank Foster and Bob and Teresa Phillips. A late night dalliance involving the wife of one and the husband of the other requires excuses that involve a third innocent couple, leading to the usual escalation of misunderstandings, mistaken assumptions, and resulting fireworks. It should be noted that the two homes are not staged side by side but are intermingled. As a result, two scenes may be played simultaneously even though they are in two locations and at different times. This makes for interesting blocking and a play that never sees a dull moment.

“This is a highly technical play to perform. It must be choreographed with precision and honed with perfect timing,” says director, Jim Caputo.”But there is nothing like when it is done well—and we will.” He is correct; the play’s scenes are enacted flawlessly by tremendously talented cast members. Susan Clausen, who plays bored, upper class housewife Fiona Foster, does so with a panache, her witty one liners obviously honed from years of working with companies about town, including North Coast Rep and Lamb’s Players. Fiona’s husband, Frank Foster, is expressed with bumbling confusion ever so endearingly by the talented Eric Poppick. Couple Bob and Teresa (Neil McDonald and DeNae Steele) bicker in the worst way; channeled by Ayckbourn’s “positive” memories of relationships in his youth, this one is putrid in every sense of the word. Steele skillfully delivers unabashed anger ever so believably while making us laugh at her comic retorts, which are mostly aimed at bloke-ish Bob. Lastly, William and Mary Featherstone are taken on by Adam Daniel and Maelyn Gandola. Daniel and Gandola are clearly adept—the demands of the dinner scene alone will prove what these two have to offer. Gandola in particular is a gem—her tiny frame and the squeamish way she portrays Featherstone—it is hard to picture another local actress in that role.

The set and costumes were not spared meticulous efforts either. Through paint and props, it was easy to delineate which space belonged to which couple, making the action easy to follow and allowing the audience to concentrate on more pressing issues (like not laughing too loudly). Costumes were both of British taste and true to time period. (I especially enjoyed Frank’s workout wear as well as Mary’s outfits, which were somehow simultaneously meek in tailoring, loud in color.)

All in all, “How the Other Half Loves” is a great show. Its only downfall is that it shows couples who really don’t get along, and maybe, would be better off if they weren’t together at all. But, if you can get past that and into the comedic efforts of a good script, great direction, and a terrific cast, this is definitely a fun romp well worth watching.

How the Other Half Loves
Scripps Ranch Theatre
9/10-10/8
Alliant University
Legler Benbough Theatre
10455 Pomerado Road
San Diego, CA 92131
858-578-7728
http://www.scrippsranchtheatre.org/

To see the original article, please go to
http://sdtheatrereviews.com/arts.php?newsId=255

THOM PAIN @ NEW VILLAGE ARTS FOR SDTHEATREREVIEW.COM

Words by Kristen Fogle

The crowd is eager as they enter the gorgeous lobby of New Village Arts (NVA); the fervor continues into the theatre and spills into the performance, which the audience is very much a part of.

This is the opening night “Thom Pain (based on nothing),” a 65-minute one man show. The storyteller is not Thom Pain of the history books, but playwright Will Eno’s “everyman” character, played by NVA Ensemble member Adam Brick. Pain is a seemingly ordinary man clad in a simple suit with just his words set against a bare stage. He tackles life and love, and his shtick can be referred to as “stand up existentialism.” A tall order for such a short amount of time.

In between the really big questions like “When did your childhood end?” and waxing poetic (“I speak softly because I want to be heard”), Pain teases and plays with his audience. Paradoxes abound (“Besides all our unfixable problems, we were perfect”), discomfort is utilized (this would be the full minute of silence mid performance while Pain looked us over), as well as playful puns and both corny and clever jokes.

Two days later I’m still not sure what to think of the piece. On one hand, “Pain” has been lauded for being a finalist for the 2004 Pulitzer Prize, it has had successful runs in ten countries on at least four continents, and has been praised by highly respectable media outlets such as the New York Times. On the other, maybe it’s not that I am adverse to the play, I just may not be as accustomed to this genre of theater in San Diego. It’s a piece that I can see doing well in a black box in Brooklyn, a “think piece” that may work for the kind of theatre go-er that can shell out for a play that director Kristianne Kurner says you need to see “5 to 6 times” since “each time you watch you will find something new.”

No matter how I feel, what is commendable is how much the audience seemed to be in to it. Whether they were having their minds blown open, had too many drinks at Hap’s Bar (located in the NVA lobby), or were season ticket holders, I am unsure. But Brick received a standing ovation and many positive comments from what I could overhear upon exiting.

What may have helped me understand all the fuss was the “talk backs” with NVA Ensemble members that happen after every performance (except for ours, as mentioned, it was opening night). Perhaps then members could go into more detail about what they find so truly moving and remarkable about this show.

I didn’t receive help in appreciating the show from a “talk back,” but I did get a little help from Godot. Yes, I am referring to Samuel Beckett’s “Waiting for Godot.” (In fact, Kurner compares working on “Pain” to “a mash up of a William Shakespeare comedy and a Samuel Beckett existential meditation.”) It was a framed quote from Beckett’s work on NVA’s wall that started me thinking; I “hmm’d” at the similarities between “Gadot” and “Pain.” In fact, in “Gadot,” Estragon eventually gives up waiting for the title character, muttering, "Nothing to be done," which reminded me of Pain’s modern day equivalent of these words, peppering his theories on life with “whatever” and “who knows.” The point is “Gadot” is not always understood, though in my eyes, it’s a pretty significant work. (For me it was really reading Beckett’s work over a few sessions on the floor of the San Diego City Public library a few years ago). And though both “Gadot” and “Pain” may leave certain audience members with a general feeling of I-don’t-get-it, there are gems to be had in the wording of each, the sheer thought put into the characters’ introspection that we so often forget to have on a weekly or monthly basis.

For that reason, I would say, sure, tackle Thom. If you really listen, and maybe even return a time or two, you are sure to hear something of value in the dialogue. However, if you’re like many San Diego theater goers (and maybe, me?) and want to see something a bit more traditional, it may be best to wait until NVA releases its “Of Mice and Men” after “Thom” wraps at the end of October.


Thom Pain
New Village Arts
9/10-10/2
2787 State St.
Carlsbad, CA
(760) 433-3245
http://www.newvillagearts.org/


To see the original article, please visit http://sdtheatrereviews.com/arts.php?newsId=255

LAS MARIPOSAS @ LA JOLLA'S SHANK THEATRE FOR ARTSNFASHION.COM AND SDTHEATREREVIEW.COM

Words by Kristen Fogle

The tragic story of Dominican sisters who fought a dictatorship and died while trying has been detailed in a children's book, a fictionalized account on the big screen, a documentary, and a short story (Julia Alvarez's "In the Time of Butterflies"). Now, inspired by the last, Las Mariposas takes up the tale in an original dance theater production by Eveoke Theatre, opening its 2011/12 season as La Jolla Playhouse's Resident Theatre Company, playing at the Shank Theatre at La Jolla Playhouse.

On November 25, 1960, three of the Mirabel sisters, known as "las mariposas" or "the butterflies," were brutally murdered for their participation in the resistance movement against Dictator Rafael Trujillo. A fourth sister survived, choosing to share their story of courage, conviction, and compassion. This sister, Dede Maribal, opens the story, introducing the audience to her sisters Patria, Minerva, and Maria Teresa, each a vibrant young girl at the time. Later, Dede guides the audience to the specific points where each entered the revolution and, now adults, how their lives change as a result. Las Mariposas delivers powerful messages to its audience—that of moving forward out of tragedy, the necessity of forgiveness, and the effect of women, even one woman, in her nation.

Though the show is new to the Playhouse, it originally debuted in November/December of 2010 at the 10th Avenue Theatre. Due to community interest and a need to reach a broader audience, the show continues at Shank Theatre. Additionally in November of this year, the U.S. Embassy will be sponsoring the Eveoke Dance Theatre's tour of Las Mariposas to the Dominican Republic. The group will perform in Santo Domingo and Santiago and give master classes, as well as conduct a workshop/performance at a cultural festival. They are also looking into possibly visiting and doing a dance workshop at a farm and literacy center run by Julia Alvarez, who opened the door to Eveoke participating in this experience abroad. Says the author: "The Eveoke performance has been the adaptation [of her work] that has most moved me: the company's creativity in translating the story into dance, its commitment to educating and the community and having conversations with the audience, its passion for the story and advocacy for human rights."

It is that passion that drives Eveoke to promote their message in the minds of audience members even after their show. So it is not surprising then that Eveoke has paired with several community partners including UCSD's Women Center, San Diego's Voices of Women, and the Commission on the Status of Women, County of San Diego. Each group works on women's and girls' issues both locally and globally through creative and educational outreach and policy advocacy. Each group will be highlighted for one weekend of the show's run.

Besides encouraging those interested in social work to see Eveoke's performance, those interested in seeing truly gifted dance should see these 13 capable performers. The careful, calculated quality of each dance segment as co-created by Erica Malone and Ericka Aisha Moore, the meticulous sound selection, as well as the standout quality of many of its members should be noted. All are gifted, but Jessica Rabanzo Flores as Adult Minerva, possibly the most passionate of the sisters, flies around the stage with robust impassioned movements that leave the audience members stunned, and Charlene Penner shines as the ethereal, breathtaking (and admittedly creepy) Butterfly.

A visit to "The Butterflies" will see to it that you are inspired: one will witness art that is not only beautiful, but carries an important cause behind it. We wish this experienced, passionate troupe even more success with their inspiring message in the hope that the telling of stories like this will one day quell strife caused by dictatorships we continue to see in modern day countries all around the world.

Eveoke Dance Theatre presents "Las Mariposas"

Theodore and Adele Shank Theatre at La Jolla Playhouse

September 8-25

2910 La Jolla Villiage Drive

La Jolla, CA 92037

http://www.lajollaplayhouse.com/ , http://www.eveoke.org/

For the original posts, please visit http://www.artsnfashion.com/index.php/component/content/article/49/107-las-mariposas-review-by-kristen-fogleOR
http://sdtheatrereviews.com/arts.php?newsId=255

NORTH PARK BOUTIQUE FEATURE FOR ASKMISSA.COM

Words by Kristen Fogle

The North Park night scene is slowly becoming the place for casual hipsters and even the more in your face PB crowd, trolling for something new on the weekends. (Note: You’ll see this type in full force Saturday nights in line at True North.) But don’t discredit the neighborhood’s during-the week-action; boasting delicious eateries (El Take It Easy, anyone?) and oh-so accessible from downtown and the 805, it is the place people are running to for burning through some cash and going shopping.

Three places in particular have put North Park’s boutique bounty on the map. Hunt and Gather is newest, with its glass paneled front proudly advertising its fun, funky wares, Aloha Sunday Supply Co., clothed in white and obscured slightly by the trophy store next door, and the veteran, Mimi and Red, which is the winner in terms of clothing that just continually flies off shelves.

The title of the store’s instructions are simple but clear. Find your items and get ‘em. Established in May of 2009 by husband and wife, Zoe Crenshaw and Lee Reynolds, this is the team’s first retail store; both are seasoned clothing designers who have worked in the apparel industry for many years. Crenshaw details Hunt and Gather’s aesthetic best: “The concept is to offer unique and original clothing from local designers and previous decades. We carry lots of carefully selected wild to rare vintage pieces that are on track with today’s high fashion looks seen on the streets of New York/Paris/London. Our goal is to provide affordable style. The atmosphere is happy, fun, and lacking pretension or attitude.”

The store is great because of their constantly revolving merch and its selection; the store specializes in men and women’s new and vintage clothing, accessories, one of a kind pieces, jewelry, records, and artwork. The store is big into in-house DJs, which they advertise regularly on their Web site.

WHERE:
Hunt and Gather
2871 University Avenue
San Diego, CA 92104
Ph. 619-297-3040

HOURS OF OPERATION:
Monday-Thursday: 11 a.m. to 7 p.m.
Friday-Saturday: 11 a.m. to 8 p.m.
Sunday: 11 a.m. to 6 p.m

Aloha Sunday Supply Co.

Aloha Sunday Supply Co. has a very of-the-moment personality. Encompassing clothing for both guys and gals, it has a summer time hipness reminiscent of an Edward Sharp and the Magnetic Zeros song. Entirely white, and always housing a variety of kids using Wi-fi, if Mimi and Red is your always accessible go-to shop, Aloha is a special purchase kind of place. A mix of new and used items, I’ve been loving the variety of boots they always seem to have, seeming to reference the “supply co.” included in their name. One of the owners, Kahana Kalama describes the name for the space. “Growing up in Hawaii I was enthralled by the commonly used phrase “Aloha Friday” which is basically a celebration of the end of the workweek. As a play on this concept Aloha Sunday was born…” Kalama says. Scoot on over to Sunday for tanks, tees, sunglasses, jewelry, and yes, boots.

WHERE:
Aloha Sunday Supply Co.
3118 University Ave. Suite B
San Diego, CA 92104
Ph. 619-269-9838

HOURS OF OPERATION:
Tuesday-Thursday: 11 a.m. to 7 p.m.
Friday-Saturday: 11 a.m. to 10 p.m.
Sunday: 11 a.m. to 5 p.m.

Mimi and Red

Mimi and Red is like Forever 21 in that you know you can walk in on any day and find something that will fit you well and make you look dressed to kill, whether it’s a baby shower you’re headed to or a night on the town. Carrying the trendiest dresses, separates, and accessories like watches, jewelry, and purses, as well as baby wear/accessories, there are many brands to choose from, including well knowns like Nixon to the shop’s own Mimi and Red. The staff is always super courteous and will assist with finding the perfect look. And if you’re not in the North Park area, there is another location in La Jolla too. However, you can also just buy online (free shipping if your purchase is $125 or over).

WHERE:
Mimi and Red

3032 University Ave.
San Diego, CA 92104
Ph. 619-298-7933

5630 La Jolla Blvd.
La Jolla, CA 92037
Ph. 858-456-7933

HOURS OF OPERATION:
Monday: 11 a.m. to 6 p.m.
Tuesday-Saturday: 11 a.m. to 7 p.m.
Sunday: 11 a.m. to 4 p.m.

For the original article, please visit http://askmissa.com/2011/09/10/north-park-boutiques-hunt-and-gather-aloha-sunday-supply-co-and-mimi-and-red/

GUILIANA RANCIC INTERVIEW/COVER FOR FALL ISSUE OF CLIQ

Last Thursday I had the opportunity of spending some time with E! and Style star Guiliana Rancic (whose first name I find impossible to spell). As it was her and husband Bill's anniversary, she opened up on how to make a relationship work as well as what a typical day looks like and what she loved (and hated) about school.

Issue drops in three weeks. Stay tuned.

GUEST BLOGGER POST: FINDS BY FOGLE ON "BENCHMARKS AND BABIES"

Check out my guest blog on Mommy Blog "Benchmarks and Babies."

Featuring Shite Shirts, Meeble Mail, The Rack Trap, Piggy Paint, T-Boxes, and Mimobots

http://www.benchmarksandbabies.com/2011/08/guest-blogger-finds-by-fogle-runner-up.html?showComment=1313819149707

HAIR @ SAN DIEGO CIVIC THEATRE FEATURE ON ASKMISSA.COM

Public Theater’s Tony Award-winning production HAIR: The American Tribal Love-Rock Musical will play the San Diego Civic Theatre for a limited engagement, Tuesday, October 18 through Sunday, October 23, 2011. Presented as a Broadway/San Diego~A Nederlander Presentation, tickets are available now only as part of a Broadway/San Diego 2010-2011 Season subscription package or through the group sales office.

The cast will feature members from the recent Broadway production of HAIR including Steel Burkhardt as Berger, Matt DeAngelis as Woof, Kaitlin Kiyan as Crissy, Darius Nichols as Hud, Paris Remillard as Claude, Kacie Sheik as Jeanie, Nicholas Belton, Larkin Bogan, Allison Guinn, Josh Lamon, John Moauro, Kate Rockwell, Cailan Rose, Jen Sese, Lawrence Stallings and Lee Zarrett. Additional HAIR alumni include Phyre Hawkins as Dionne and Caren Lyn Tackett as Sheila. The cast will also feature newcomers Shaleah Adkisson, Emily Afton, Corey Bradley, Marshal Kennedy Carolan, Laura Dreyfuss, Mike Evariste, Lulu Fall, Tripp Fountain, Nkrumah Gatling, Christine Nolan, Emmy Raver-Lampman and Tanesha Ross.

Oskar Eustis, Artistic Director of the Public Theater, commented, “The National Tribe of Hair are the most beautiful beasts in the forest, an amazingly talented group who will be bringing HAIR’S message of peace and justice across the United States. Let the sun shine in!”

San Diego Civic Theatre (Photo Credit: San Diego Civic Theatre)

HAIR won the 2009 Tony Award for Best Musical Revival as well as the Drama Desk, Drama League, and Outer Critics Circle award for Outstanding Revival of a Musical. The show was also nominated for an additional seven Tony Awards including Best Direction, Best Choreography, Best Costume Design, Best Lighting Design, and Best Sound Design. The cast recording was also nominated for a Grammy Award for Best Musical Show Album.

With a score including such enduring musical numbers as “Let the Sun Shine In,” Aquarius,” “Hair” and “Good Morning Starshine,” HAIR depicts the birth of a cultural movement in the ’60s and ’70s that changed America forever. The show resonates with an irresistible message of hope more than 40 years after it first opened on Broadway.

The New York Times says “Diane Paulus’s thrilling, emotionally rich production delivers intense, unadulterated joy,” and Time Out New York says “HAIR speaks to a whole new generation!” Bloomberg News calls it “The most exciting show in town! HAIR feels utterly of the moment in its power to move us. There’s nothing like it.” And Variety insists “If this explosive production doesn’t stir something in you, it may be time to check your pulse.”

The full creative team behind the Broadway production is on board for the National Tour, including Diane Paulus (Director), Karole Armitage (Choreography), Scott Pask (Scenic Design), Michael McDonald (Costume Design), Kevin Adams (Lighting Design) and Acme Sound Design (Sound Design). HAIR features a book and lyrics by Gerome Ragni and James Rado and music by Galt MacDermot.

So get your friends together and let the shine in as you experience HAIR!

WHEN: Tuesday, October 18 through Sunday, October 23, 2011. For dates and times, visit www.HairOnTour.com

WHERE:
San Diego Civic Theatre
1100 3rd Avenue
San Diego, CA 92101
Ph. 619-570-1100

TICKETS: www.broadwaysd.com

To see the original article, please visit http://askmissa.com/2011/09/05/hair-comes-to-the-san-diego-civic-theatre/

MEDIA QUOTES FOR CLIQ ARTICLES

My Steve-O interview in a few (one) media outlet:

http://fyeahsteveo.tumblr.com/

My Kourtney Kardashian interview was quoted by a few different media outlets (including Us Weekly!):

http://surfgossip.com/9856/kourtney-kardashian-on-the-cover-of-cliq-magazine/

http://www.usmagazine.com/moviestvmusic/news/is-kourtney-kardashian-moving-to-nyc-permanently-2011153

http://www.wetpaint.com/kourtney-and-kim-take-new-york/gallery/kourtney-kardashian-looks-gorgeous-in-cliq-magazine

http://officialkourtneyk.celebuzz.com/2011/03/opening-up-to-cliq-magazine/

http://eternallyfixated.blogspot.com/2011/03/kourtney-k-does-cliq-magazine.html

http://www.zimbio.com/Kim+Kardashian/articles/f4S4PtLct6S/Kourtney+Kardashian+Smolders+Cover+Cliq
http://www.examiner.com/tv-in-national/kourtney-kardashian-reality-star-talks-thoughts-on-moving-to-new-york

http://www.entertainmentwise.com/news/58744/Is-Kourtney-Kardashian-Moving-To-New-York

http://www.thehollywoodgossip.com/2011/03/kourtney-kardashian-kovers-cliq-konsiders-bikoastal-living/

http://citychickbuzz.wordpress.com/2011/03/16/kourtney-kardashian-in-cliq-magazine/

http://kourtneykardashian.org/category/magazine

http://hotpz.com/2011/03/kourtney-kardashian-and-scott-disick-to-live-in-new-york/

http://www.showbizspy.com/tag/kourtney-kardashian/page/2

Name shout out on Audrina Patridge's blog, as well as an incorrect quote. Obviously, someone else writes for her:

"I'm on the cover of Cliq Magazine! Written by college students for college students, Cliq magazine is a college lifestyle online publication that caters to all things current. The interview was really fun! I spoke with the lovely Kristen Fogle of Cliq Magazine right in her kitchen. You probably have seen her kitchen before - it was the setting of my photo shoot for Maxim’s October issue of last year!"

(Note: We did NOT have a photo shoot in my kitchen; I mention in my intro that I am sitting in my kitchen looking at her Maxim cover...hence, why it may have been confusing to whoever wrote the blog post...)

http://www.audrinapatridge.com/blog.php?entry_id=279

ARTSNFASHION MAGAZINE VOL. 1

Artsnfashion Magazine, Volume 1
www.artsnfashion.com

Words by Kristen Fogle:

-Leo Rising (music) review (page 5)
-North Park Festival of the Arts feature (pages 8-9)
-Progress furniture review (pages 10-11)

http://issuu.com/artsnfashion/docs/test3compression

WEB TEXT

I specialize in web text. Samples:

Reflex Sales Group (Home page)

Welcome to Reflex Sales Group, the go to company for closeout merchandise and overstock product resale--dealing solely with the Off Price Trade industry, not the general public. "Perfecting your profits" is our number one priority; however we believe this aim is served with a focus on not only price, but value as well. Commodities are what we deal in--but we believe that neither you nor your company should ever feel like one. Our impeccable customer service will transform your company's buying process; what may once have been construed as a headache can be translated into a positive interaction with Reflex...a new movement in resale.

For more web text, please visit www.reflexsalesgroup.com


More examples coming soon:
River Wonders
SD Limo Bus
Doc's Luxury Gentlemen Products
State Street Bar and Grill

WEDDING LINGERIE ARTICLE FOR GROOMSONLINE.COM

Honeymoon Lingerie: What's Your Fantasy?

Words by Kristen Fogle

You’ve planned it all. At 10:42 PM precisely, after numerous goodbyes from your family and hers (well, now your family too, gulp), you’ll carry her over the threshold, to which she’ll “Ah!” over the array of perfectly placed petals and meticulously picked champagne. The suite, after hours of online research, is just to her liking, with a dazzling view and boasting the ultimate king size bed and hot tub.

You both decide to slip into something more comfortable but realize...you’ve slipped, and with all that planning, you forgot to purchase the perfect lingerie.

Thankfully, we’ve got it covered.

For her, finding something is a cake walk. The only thing to determine is her lingerie style. If your beloved is a traditional type, don’t go for costume wear. If she has a slightly wild side, don’t be afraid to make it a little racy. But whatever you do, don’t forget that this is your wedding night, and even the sauciest sex kitten may want to celebrate in a manner befitting of it. (Also, when in doubt, stick with white.)

As for where to nab pieces for her, there are always the mall accessible favorites: Victoria’s Secret and the slightly naughtier Fredrick’s of Hollywood. Online, Fredrick’s offers all the traditional bras, panties, chemises, and teddies. You may even want to opt for a Special Occasion/Bridal corset. Victoria’s site has a straight to the point, “Shop By Collection” section, where you can find “Sexy Lingerie,” “Silk and Satin,” and even a “Bridal Collection.” There are plenty of finds in the latter--lace nighties and strappy baby dolls--all at fairly reasonable prices. You might even want to get her one of their “It’s My Day” tanks, with just a touch of bling--a perfect sleep piece for her to don after, ahem, the bedroom festivities.

Other places to venture include Dreamgirl (http://www.blogger.com/www.dreamgirldirect.com), a vendor with an extensive “Nuptials” department sold at various locations including on the web. (They also have plenty of costumes to choose from, including selections for you as well!) Another favorite is Linay (http://www.blogger.com/www.linay.com), an online boutique that has everything from traditional bustiers, camisoles, and bra and thong sets to mini dresses, body stockings, and catsuits. Best though is their collection of accessories--anklets, belts, gloves, stockings, thigh highs, and footwear. They also have plus size options, but for an entire site devoted to lingerie for your voluptuous lady, visit Hips and Curves (http://www.groomsonline.com/http;/www.hipsandcurves.com%29.

For you, finding tasteful bed wear may be a bit trickier, but it is completely doable. Many women's sites offer selections for both parties, so when doing your own online search, look for men’s lingerie departments as well. The Lingerie Zone (http://www.blogger.com/www.thelingeriezone.com) offers great finds for her, plus briefs and boxers you probably won’t find at your local department store. On the other hand, if you want something more traditional but want to dress yourself up a bit, try a higher end brand like Calvin Klein, Diesel, DKNY, Puma, Dolce and Gabbana, Tommy Hilfiger, or Hugo Boss. Take a glance at Bare Necessities (http://www.blogger.com/www.barenecessities.com), which carries “Men’s Fashion Underwear,“ those new finds from some of the mainstream brands above (and many, many others). They also have lounge and sleepwear and practical items like socks and multi-pack underwear. Additionally, many of the places you purchase your wedding wear have options too. Brooks Brothers (http://www.blogger.com/www.brooksbrothers.com) is not only a great place to find formal wear for the wedding itself but has tasteful choices (both in price and in style) that look good on any man.

So even if you’ve left your night time wedding wear search waiting, it’s not too late--a visit to your local mall or a well informed internet peruse can do you well (although if it’s really late, you may want to opt for rush delivery). Just avoid being without for you and yours on your wedding night--it’s the second most important garment you’ll both have on that day.

For the original article, please visit http://www.groomsonline.com/index.php/Tuxedo-Style/honeymoon-lingerie-whats-your-fantasy.html

WEDDING WEAR ARTICLE FOR GROOMSONLINE.COM

Wedding Wear for the Alternative Wedding

Words by Kristen Fogle

Growing up, neither of you had Barbie and Ken aspirations of marriage. But somewhere along the way you found each other and decided...maybe this is what all that fuss was about. But just because you’ve conceded to the idea of marriage doesn’t mean that the storybook, lacy white bride and traditional monkey suit have suddenly become your cup of tea.

Thankfully though, over the years, weddings themselves have taken a turn for the less traditional. It HAS become more acceptable to step out of the church and reposition the bridal party to all sorts of locales, with different expectations of dress as well.

For men, finding something tasteful that doesn’t prescribe to cookie cutter standards has never been easier. However, there a few questions you may want to ask yourself:

• Do we want a themed wedding? Do remember not only you and your bride’s wardrobe considerations, but those of your guests as well.
• What sort of style would be befitting of the occasion? Take into account the season, where the ceremony will be held, what your bride intends to wear, and how formal the event is going to be.
• What is my price point? Maybe going all out for the big day is your forte--in that case you have nothing but options. But even for a smaller budget, there are a lot of great finds out there.
• Are the groomsmen (if you choose to have them) going to be dressed similarly? If so, is the style available for numerous other people and available in other sizes? In other words, if looking for perfectly matching Hawaiian wear, don’t opt for a one-of-a-kind design, and do take into account your Uncle Lou’s 3X frame.

After evaluating these considerations, it’s time to go hunting. Themed weddings require a particular type of search and for thEse, I would start with huge costume emporiums that operate year round (not just during the Halloween season). Also seek out some local costume shops. Many times smaller, (especially family owned) shops will give you group discounts, something a retail store probably won’t do. But don’t despair, if you have neither the warehouse nor the shop available, just find a picture on the web or in a book and hire a seamstress or tailor. They may be the most pricey option, but this is a great way to get exactly what you want.

If it’s not a theme you’re into, remember that you still have choices. For an informal affair, a formal or business suit and tie will suffice. Particularly for outdoors, white cotton wear is both popular and extremely comfortable. Another option is a linen suit, or an uber-casual khaki with solid color shirt; classic without being confining. For cooler months, a blazer and trouser combo is great as is a darker hued wool suit with a white shirt and colorful tie.

For more expensive choices, try bridal and tux shops. Name brand designers like Armani and Ralph Lauren will inevitably carry a considerable amount as well. But if the splurge is not an option, department stores and particularly outlet malls will carry items on the cheap also. And online sites like www.overstock.com will carry items that have gone on sale too. There’s always the option to borrow from a friend or to snag a consignment shop find and alter it to your taste.

Remember, it is perfectly acceptable to not only set your own code of dress, but to get your wedding party and guests in on it too. It’s not called “your day” for nothing!

To see the original article, please visit http://groomsonline.com/index.php/Tuxedo-Style/wedding-wear-for-the-alternate-wedding.html

LEADERSHIP ACADEMY FEATURE IN THE KEY MAGAZINE

Words by Kristen Fogle

Winter 2008
The Key Magazine (Kappa Kappa Gamma Fraternity's publication)

Out of 50 participants who penned journals at KKG's Leadership Academy 2008, a program I attended free as an advisor/alumna of Cal State University Northridge's Epsilon Xi Chapter, my work was featured as a full length article highlighting my experience.

(Pages 12-15)

http://digital.watkinsprinting.com/publication/?i=11562

HAIRSPRAY @ VISTA'S MOONLIGHT AMPHITHEATER AND GRACE @ ION THEATRE FOR SDTHEATREREVIEWS.COM

Reviews of Hairspray @ Vista's Moonlight Amphitheater and Grace @ Ion Theatre

http://www.sdtheatrereviews.com/arts.php?newsId=255






Photo from Grace @ Ion

SLEEPING BEAUTY WAKES @ LA JOLLA PLAYHOUSE REVIEW FOR ARTSNFASHION.COM

Words by Kristen Fogle

In a land where everything is either remade or crafted from something old, enter “Sleeping Beauty Wakes” (SBW), a new take on the fairy tale/Disney film.

Because of the incessant regurgitation of classic stories and plotlines, one can (and should be) wary; yet Beauty waking is an interesting concept. What does happen? Does she return to the living world regretting who kissed her? Does she fall madly in love with said prince, leading a life destined to clean house while constantly sighing to cartoon birds?

Neither scenario, it seems, prevails. In fact, the prince from the original is merely an afterthought. When SBW opens, it is in a modern day sleep clinic with four patients desperate to get a good snooze. As they try to fitfully make their way to sleep, Rose (Beauty) is brought in by her father. Apparently Rose’s condition is that she can sleep—a little too well—and has been doing so for the last 900 years. As soon as Rose is brought in, a funny reaction occurs. The patients all end up having the same dream (essentially reenacting the story of Sleeping Beauty, in case you were somehow missing for 900 years and didn’t know the plot). However, the patients’ luck changes when a kiss (not by a prince this time) wakes Rose. What results is her love’s kiss (finally) transforming her, as she becomes not only awake but completely alive.

Though Rose and her new found love express a beautiful, innocent chemistry, where it becomes truly emotional is the connection between Rose and her father (King) as they share moments that are truly moving and even hard, especially for anyone who has lost or had a tumultuous relationship with a parent. Credit to Bob Stillman’s carefully crafted father; he expresses tender, unconditional love but leaves room for a judgmental side that every audience member can predict will guarantee turmoil with a young daughter. (Young aside from being over 900 years old, that is.)

Other standouts are the Doctor of the Sleep Clinic (who morphs into the Wicked Queen in her dreams—with claws to match), using her powerful vocals to convey a sense of strength and scorn only a jilted woman can. The phenomenal instrument that is actress Kecia Lewis-Evans’ voice seems almost effortless and amazes easily. Aspen Vincent (Rose) is a tiny doll of an actress and flits about the stage with an exuberant, youthful fairy tale quality and calls to mind Ariel of “The Little Mermaid.” However, though Vincent does a commendable job, she doesn’t seem to exclusively own Rose, which is good, in that it will make for taking this production elsewhere a bit easier. I can see other wide eyed young actresses lining up to play Rose, already.

The piece has all the makings of a big hit, but maybe with some minor tweaking. Perhaps it is due to the chaotic score by husband and wife team, composer/lyricist-singers Brendan Milburn and Valerie Vigoda, both from the rock/jazz/folk/indie band GrooveLily. (Chaotic in that they wrote over 40 songs with only 15 actually ending up in the show, cutting and changing songs even later than when the show first debuted.) It was also originally written for Deaf West. And though the team claims that they were instructed to write without thought to their audience’s particular challenge, it still begs the question: how would the score have differed had it originally been intended for a hearing audience?

That aside, standout songs abound: “Uninvited” gives a proper introduction to the Doctor’s power house voice. “The Wheel Goes Round” has a tune you swear you’ve heard before (but not in a tired way). “Drifting” is haunting in its beauty as Rose and the Orderly (Bryce Ryness…another great find) float around the stage embracing the beautifully thought out choreography. The only song I didn’t absolutely love was “Still Small Hours“; it’s doo-wop reminiscent style seemed out of place when juxtaposed with all the other great songs.

Ultimately SBW is delightful and one of those shows you can take a friend, a grandparent, or a first date to. And its sincerely likable quality will no doubt propel this show into a fully awake state; I’m looking forward to its debut in even larger theaters and to vast audiences.

For more information, please visit www.LaJollaPlayhouse.org

For the original article, please visit http://www.artsnfashion.com/index.php/component/content/article/49/92-sleeping-beauty-wakes-review-by-kristen-fogle

POSTER BOYS @ DIVERSIONARY THEATRE REVIEW FOR ARTSNFASHION.COM

Words by Kristen Fogle

When one opens the front cover of Diversionary Theater’s “Poster Boys” program, a Wells Fargo ad proclaims that they are one of the BEST places to work for LGBT Equality and illustrate this by portraying two men that seem to be a little more than just friends. Both are walking down an upper class street adorned with lovely shops and flowers and are dressed well, but not too flamboyantly, are attractive, of equal height, and are postured to convey that they are both happy and also, yes, together.

This is an ad to emulate, I feel. And how (not so) ironic, because “Poster Boys,” the brainchild of Michele Riml, who wrote the popular “Sexy Laundry,” centers around how to create a very similarly themed advertisement. Caroline (Julie Anderson Sachs), a forty-something and poster girl for the domineering ad exec everywhere, is losing her footing. Much to her chagrin, her younger protégé and new fling Brad (Justin Lang) seems to be making waves as higher ups notice his pulse in the advertising world. Simultaneously, Caroline is hired to create a queer-positive ad campaign which happens to star her ex-fiancée Jack (John Anderson) and his boyfriend Carson (Charles Maze). Things get complicated when Caroline finds herself flailing (and failing) in her ad campaign when she is both forced to confront her anger with Jack and when her ideas about homosexual portrayals get challenged by the two men at the forefront of that life.

What this show has going for it is not necessarily its edgy topic: Diversionary Theatre and controversy essentially belong in the same lexicon. Nor is its power to step out of the box and display homosexuals as having other traits or interests we do not normally see. Case in point: Jack, bookshop employee, comes home to his architect boyfriend who is decked entirely in labels and immaculately dressing the table (which he does for every meal…did I also mention he’s wrestling with his Catholic beliefs??) On the same token, “Poster Boys” does not intend to re-brand the tired old staple of a business woman. (I got it, she’s Madison Avenue; constantly stressed, speaking loudly and with good diction, and also obsessed with labels.) In fact, I was confused: Wasn’t the message of “Poster Boys” all about declaring that there is more to these prototypes? Isn’t that what the couple at the forefront of the ad was trying to argue against even though their characters were written as the epitome of every gay stereotype out there? Even the music for the set changes was blatantly clichéd. We need Sonny and Cher, Sheryl Crow, and k.d. Lang to let the audience know this is a “gay show”?

Where I think this piece spoke volumes though was in its vignettes, when Caroline was breaking down and confronted by an omnipotent (and identically dressed) “Woman” (also Charles Maze). The banter between the two and the insight into one’s own psyche: how we deal with things, keep them, ditch them…these parts were both sad and beautiful because we all do them. (And though Charles is a very handsome man, you know when you are receiving meaningful gems from an unattractive tranny, it has got to be good writing.) Additionally, there were moments between Jack and Carson that were both picturesque and make us reflect on ourselves: when the pair is trying to film a commercial at the dinner table and keep pausing and starting the camera because they keep arguing about what and what not to express, we truly question which aspects of our relationships are unknowingly private moments and which we might wish to share given the opportunity. All in all, one of my favorite parts was the dynamic between the two men.

So, “Poster Boys”…a poster of success or of failure?

Well, like any struggling ad campaign, there are things that work and those that don’t. For me, the Wells Fargo ad painted a better picture in that it didn’t pigeon hole gay men as much as the play did. I credit the actors (and actress) for immersing themselves in a drama that contains so many moments of pure comedy and refreshingly shows love between two male characters. However, for me, “Poster Boys” did not completely sell as it sometimes painted the picture of a culture that is (still) just not quite ready to let go of the clichés that seem to unfortunately define contemporary gay life.

For more information, please visit www.diversionarytheatre.com

To see the original article, please visit http://artsnfashion.com/index.php/component/content/article/49/91-poster-boys-review-by-kristen-fogle

MOON OVER BUFFALO @ ONSTAGE PLAYHOUSE REVIEW FOR ARTSNFASHION.COM

Words by Kristen Fogle

Done a variety of times in numerous spaces and cities, “Moon Over Buffalo” is an old favorite for many. I mean, who doesn’t want to see a piece about a simpler time, the good old 1950s, when things were pure and easy. When men were men and women were women. When things were uncomplicated and unpretentious. You know, when gals left their husbands for the family lawyer and fathers impregnated girls their daughter’s age...

Wait, what?

“Moon Over Buffalo” may be set in a more wholesome time, but for first timers to this much loved classic, the drama is not quite so squeaky clean. The show, set on and backstage at the Erlanger Theater in Buffalo, New York, commences when Rosalind comes to visit her parents, thespians George and Charlotte Hay, a couple that (regrettably, particularly to Charlotte) never quite made the big time, while they are performing reparatory theater. Rosalind arrives so as to announce her engagement to Howard, an enchanting, but slightly goofy weather man. While there the action unfolds: George has knocked up a young actress in the play, Charlotte’s mother is driving George crazy, Charlotte may run away with the family lawyer, Rosalind’s old flame Paul is working at the theater…it all comes to a head when George gets a call about a big time Hollywood-er who wants to see the night’s performance so as to determine whether to cast him in a movie. But when George gets drunk and the cast gets their play wrong, all hell breaks loose and George and Charlotte’s shot at the big time becomes a bit complicated.

It’s a whirlwind of who-will-end-up-with-who, quick wit, and zany energy in this well acted, classic farce. Laura Kaplan-Nieto (Charlotte Hay), besides being drop dead gorgeous, boasts roles in classics such as “Antony and Cleopatra” and “Henry V,” but she has the comic timing and vigor perfect for Buffalo. Charles Peters (George Hay) not only plays a drunk effortlessly, but commands the stage with his delivery and by making use of the well thought out blocking. James P. Darvas (Paul) has a vivaciousness that complements George’s sometimes dry sense of humor well, and he is paired suitably with adorable Alyssa Anne Schechter (Rosalind) who also lights up the stage. The other characters add charisma and energy, and attention to the set as well as the gorgeous costumes (I would wear any one of the dresses in this show!) made this play a delight to watch. Playhouse’s long stage and rectangular room tend to make the space seem a bit claustrophobic, especially since they are packed, even on Sunday, but the company makes do with what they’ve got and manages to put on killer performances such as this one. (Oh, and the space will be undergoing a facelift, which I’m looking forward to.)

For an old favorite made fresh with a vibrant and talented cast, “Moon Over Buffalo” will be playing through August 13, 2011 at OnStage Playhouse in Chula Vista.

For more information, please visit www.onstageplayhouse.org

To view the original article, please visit http://artsnfashion.com/index.php/component/content/article/49/90-moon-over-buffalo-review-by-kristen-fogle

HUMBLE BOY @ PATIO PLAYHOUSE REVIEW FOR ARTSNFASHION.COM

Words by Kristen Fogle

Everyone is “buzzing” about “Humble Boy,” the newest gem to come out of Escondido’s Patio Playhouse.

Based on Hamlet, the drama begins as so: Troubled but gifted Felix Humble returns to his family home in the English countryside after receiving word of the death of his father, James Humble. He arrives to discover that his mother, a persnickety (and sometimes downright acid tongued) Flora Humble, has rid the property of all her husband’s beloved bees. Flora blames Felix for a eulogy gone awry and essentially for being him in general. Felix learns that his mother is marrying a man named George Pye, not only the complete opposite of gentle, intellectual James, but also the father of his ex-girlfriend, Rosie Pye. As he relearns who she is after a seven year hiatus, she drops a bomb on him that may just force the bumbling but charismatic Felix to grow up.

There are far too many twists and turns in this inspired delight, written by Charlotte Jones, rife with wonderful metaphors about love, life, and the people that inhabit both. I would, however, be remiss to reveal them all here. It can be said though, that newcomer James Brust (Felix) skillfully portrays the distressed but lovable lead and accomplished veteran Renee Gandola adeptly depicts a mother who can only be described as impossible, but whom we empathize with when we glimpse that her life just hasd’t quite gone the way she’d planned. Krysti Litt’s Rosie is another notable talent, bringing a flirtatiousness and wit that is charming to see in her playful relationship with Felix. Additionally, the gardener (JJ Rowley) brings a special sensitivity and conveys a surprise that is at the very crux of this play...but I’ve said too much.

Perhaps my favorite part of this standout summer show, directed by PJ Anbey, is how the story lends itself to the space. Could there be a better name than Patio Playhouse to have a play set in a garden? As my first time here, I was impressed with the transformation of the stage into outdoor setting and with the immense following this quaint theater appears to retain.

A visit to see the bees, the Humbles, and the Patio is a definite must. Fly over for a chance to laugh, cry, and see one of those shows that truly touches the heart.

For more information, please visit www.patioplayhouse.org

To see the original article, please visit http://www.artsnfashion.com/index.php/component/content/article/49/82-humble-boy-review-by-kristen-fogle